Why do Chinese McDonald's need armed guards? Let me explain... |
“Fuck you, Starshine Dylan Oakencock or whatever you fucking name is,” I
laughed – possibly manically – to the
uncomprehending cheers or the four Englishers I had met earlier. Because, and
let’s be honest for a moment, traditional music and dance – with the exception
of Irish and Pirate – is crap. Especially so in most of Asia
where it’s all puppets and screeching. But Grand Master Flash had been fantastic.
Sweaty, old, hopefully drug-addled, he had made us dance like it was 1983, to
mis-paraphrase Prince. This is the man who had simultaneously invented one of
my favourite types of music – turntableism, and one of my favourite words – turntableism.
My four new BFFs and I sat in the still-stationary taxi, four in the
backseat. I have, of course, forgotten their names but they were mildly posh so
I’ll use suitable pseudonyms.
“Don’t worry,” yelled Chauncy Fobrent-Gleeb, “I speak mandarin. Ma don ards.”
“That’s not Mandarin, you bender,” opined Frosgoat Dimply-Nipples, “you’re
just saying McDonald's in a racist accent.”
It seemed to work, however, and we were soon speeding through the night. Far,
far away he dumped us in front of the golden arches.
“You all owe me 10 Yuan,” said Stephen Thumping-Bumtrot once he had paid
for the cab. To the consternation of our little group, the restaurant was
closed, so we did the only sensible thing and broke in to steal a menu.
“We can show this to the next taxi driver,” exclaimed Sodomy
Feswick-Hyphen. So we did, and lo the next one was open, although it was
getting light by then. We all ordered an obscene amount of terrible food, some
of which we even ate. The rest we threw at each other.
At 6am, furry-mouthed and covered in gherkin, we called it a night and
retired to our hostel, secure in the knowledge that we had acquainted ourselves
thoroughly with China’s rich cultural heritage.
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